- Statistics
- TÇMB 2009 Training Programs
- List of Member Plants
- R&D Institute- List of Prices
- Cement Production Process
- Links
![]() |
The International Concrete Design Competition for Students aims at promoting innovative design attitudes related to the use of concrete as a material and a technology. It is characterized by its format: each competition cycle is framed by a theme designating a specific property of concrete. This theme is selected and directed by a curator of international renown, writing the assignment and offering personal insights and ambitions. Nationally chosen laureates are invited to participate in an international master class led by the curator and his team. The master class continues the investigation of the theme. An elaborate publication presents the competition and master class results and offers further exploration of the cycle’s focus |
MONOLITHIC - exploring versatility
DICTIONARY (Webster's Third New International Dictionary)
mono.lith.ic 1a: formed or carved from a single block of stone b: made up of monoliths 3a: of a concrete structure: cast as a single piece 4: constituing one massive undifferentiated whole exhibiting solid uniformity often without diversity or variability.
ver.sa.tile 1a: marked by a tendency to change : fluctuating readily : changeable, variable 2a: adapted to or embracing a variety of subjects, fields, or skills b: having a capacity for turning with ease from one thing to another : having a wide range of skills, aptitudes, or interests : many-sided 4a: having many uses or applications 5: diversified
EXPRESSION
Concrete does not have a material-inherent material expression (texture). The production process, the choice of materials for the formwork and the treatment of the formwork together with application of additives, defines the appearance of objects. Concrete can obtain almost all tactile expressions. From abstract expressions like in very smooth surfaces to a concrete with the ‘memory’ of craftsmanship (beton-brut).
FORM
Concrete does not have a material-inherent form. It is the production process of concrete objects that defines its form. Because of this, concrete (reinforced concrete) can take any form/shape. (Contrary to modular construction materials;e.g. bricks)
STRUCTURAL
From a structural point of view concrete has a further, singular property; in collaboration with reinforcement it can bear up both tensile and compressive forces. Lightweight (foamed) concrete floats, ‘dämmbeton’ insulates, concrete can be produced under water, concrete structures can be filigrane or robust. Concrete as and in itself does not have a quality, it can however be transformed (simply by applying it) into almost anything. Concrete is omni potential. Concrete offers architects the possibility to construct a building out of one material, a monolith.
TOTAL
Valerio Olgiati has built numerous projects in concrete. These do not have a specific formal expression. Nevertheless, the signature of the designer can be clearly read due to the efforts to base a building on one idea; to maintain a ‘total’ in which each element of the building is indispensable and crucial to the whole. Concrete is the ideal building material to succeed in this, it does not contain in itself a specific expression. It offers possibilities to construct all building elements out of the same material, a monolith.
|
|
|
|
|
|
|
|
|
|








.gif)




